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Tuesday, May 8, 2012

Across the Divide Ceramic Exhibition 2012

Here is another show that I will be in this summer out in Flagstaff, Arizona.  I will be sending the two pieces out this week.  I would post the images of the work, but I think I will wait until the show is up and running.  I don't want to give away any sneak peaks just yet.  I'm working on trying to get down there for the opening, but with the end of graduate school approaching this week I'm not sure just yet.
For more information about Coconino Center For The Arts use this link: http://www.culturalpartners.org/acrossthedivide.htm

Opening Reception: June 2, 6-8pm

Across the Divide will encompass the vast array of contemporary ceramics in the sculptural and installation genres. This exhibit uses the Continental Divide as a metaphor for the artist working in clay that has separated them from traditional techniques and stereotypes within the medium. Participating artists were encouraged to submit work that pushes traditional boundaries of the ceramic medium in its treatment of material and subject.

This exhibition features artists from across the country. All forms of ceramic sculpture, installation and new media work will be included. All works will have some ceramic component and range in scale from hand held to monumental.
Across the Divide opens with a reception on Saturday, June 2, 2012, from 6-8pm. Many of the participating artists will be in attendance, and there will be live music and some treats. The exhibition will be open Tuesdays through Saturdays, 11am-5pm, from June 5, through July 28, 2012, at the Coconino Center for the Arts. Admission to the reception and gallery is free and open to the public.

Juror

Steven Schaeffer is a ceramic sculptor whose work has been shown nationally as well as internationally including the Florence Biennale and the Ceramic Biennial International Competition in Korea. Steve teaches Ceramics at Northern Arizona University in Flagstaff, Arizona.


Photos: top Christine Golden, bottom Steven Schaeffer

Petroleum Paradox Opening






Artist Opening for Petroleum Paradox at Denise Bibro Fine Art
 Please Join Us!
Thursday, May 24 6-8 p.m.
529 West 20th Street, NYC.
PP cover
Denise Bibro Fine Art is pleased to host the Women's Caucus for Art exhibition Petroleum Paradox: For Better or For Worse?, juried by Eleanor Heartney, on view May 24 through June 23, 2012. Opens Thursday, May 24 6:00 - 8:00 p.m. at 529 West 20th Street, NYC.
Co-President for New York WCA, Marcia Annenberg, states: "this exhibit seeks to raise awareness of the imminent danger of uncontrolled climate change, caused by an excessive dependency on fossil fuels... It is our generation that has been called to this task."  To paraphrase Eleanor Heartney, "... the thoughtful works that comprise this exhibit present questions, such as 'How do we balance economic development, environmental protection, and geopolitical stability in an ever more precarious world? What are we willing to give up today to avoid catastrophe tomorrow? Where should we commit our resources? How should we define our social and economic priorities?'" The variety of perspectives of the artists involved employ photography, video, painting, and sculpture. These artists reinforce the paradox at the center of our environmental predicament. Heartney notes, human creativity and innovation are at the root of our difficulties, but they are also the source of our potential salvation.
Artists in the exhibition:  Elaine Alibrandi, Scott,Anderson, Marcia Annenberg, Krisanne Baker, Ulla Barr, Kristen Baumlier, Cheryl Bookout, Paul Bouchard, Tracy Brown, Lois Bryant, Allegra Burke, Donna Catanzaro, Rachel Clark, Janet Culbertson, Michael D'Antuono, Derek Decker, Sherri Denault and Margie Glass Sula, Liz Dodson, Alice Dubiel, Sally Edelstein, Johnny Everyman, Trish Foschi, Pam Foss, Terri Garland, Catherine Gilbert, Carla Goldberg, Maeve Grogan, Livia Gus, Karen Gutfreund, Andrew Hamill, Aimee Hertog, Suzanne Hodes, Roxane Hollosi, Shelah Horvitz, Patti Jordan, Robin M Jordan, Vesna Jovanovic, Noreen Larinde, Amy Larsen, Molly Magai, Paho Mann, Brandi Merolla, Barbara Milman, Mitzi Mize, Andrea Morganstern, Sandra Mueller, Rosa Naparstek, Patty Neal, Rob Neilson, Lynnda Pardoe, Bonnie Peterson, Sara Petitt, Roxanne Phillips, Stefani Rossi, Soledad Salame, Loredana Sangiuliano, Samuel Scharf, Debbie Schore, Manju Shandler, Lynnette Shelley, Katherine Sifers, Simone Spicer, Greg Stange, Deborah Mills Thackrey, Linnea Tober, Lucy Traeger, Michelle Waters, Margi Weir, Jenifer Wightman, Roscoe Wilson, Helen Zajkowski, Patrcia Zalisko.   
Notes from Karen Gutfreund, Exhibition Director:  Art can be a powerful, productive force and instrumental in sparking change or critical thinking.  The Women's Caucus for Art is committed to supporting local, national, and global art activism.  Art can produce a visceral response and can provoke, inspire, or disturb, and opens your eyes to worlds other than your own. While the artist may not consider themselves to be a revolutionary, by bringing to light issues and concerns, art can effect change. We need of works that help us to understand what is happening in our society, who we are, where we come from and where we're going.  
With Petroleum Paradox: For Better or For Worse, we asked for works that stir emotions, discussion and debate about our petroleum-dependent world. Examples include, but were not limited to, works that address the impact of collecting, processing and delivering fossil fuel on the environment; global warming; the power of big oil companies to control countries and governments; an imagined life without fossil fuel; and life forms that were the origins of fossil fuel. The discovery of oil, in 1859, in Pennsylvania, transformed our way of life; we are enveloped by petroleum products-from the shoes we wear, to the materials our clothes are made of, to the way we heat our houses, to our modes of transportation. Oil dependency pollutes the environment causing respiratory illness, endangers wildlife, and necessitates the large scale loss of life as we search to secure sources of oil overseas. How do we initiate change with this rush to grab dwindling non-renewable energy assets, instead of focusing on renewable energy and the prevention of global warming? This exhibition manifests the artists response to the Petroleum Paradox and what is happening in our oil dependent society and world.  
Eleanor Heartney, Contributing Editor, Art in America and Artpress, chose 72 artists for Petroleum Paradox with 31 works in the gallery at Denise Bibro Fine Art and an additional 43 featured in the catalog. This show is in collaboration with Denise Bibro of Denise Bibro Fine Art.  We are honored to work with these artists and to showcase their work. We believe in the power of artists to create, connect, and change the world.       
We hope that you will join us in our celebration of 40 years of women and the arts!

Regards,
Karen Gutfreund
Vice President and National Exhibitions Director

Jack Hammer Finished!

I know it has been awhile since I've posted new images and update what I've been up to.  I can assure everyone that I have been busier than a bee in spring.  At the moment my thesis show is up at the Bruce Gallery here at Edinboro University.  I know I have a lot to post to catch everyone up on the happenings in the studio and upcoming shows I will be in so let me post this image of the jackhammer and continue the other posts as well.
This piece took me awhile due to the fact that I was trying to get it done in time for my thesis exhibition, as well as other work for the show.  I ran into a problem due to me rushing the work and not taking the necessary steps to make sure it was structurally made well, so I had to cut it apart and reinforce a few areas within the form.  I recalled my first fears as an undergraduate when I first encountered problems on a sculpture I had been working on.  Now I know that it's all about mistakes and learning from those lessons that one really makes strides in any material an artist is working with.  With that being said the jackhammer turned out fine.  The jackhammer is hand built using terra cotta (slabs, pinch, and coil), as well as press molded additions.  The bit was originally clay, but I had a warping issue, due to misplacing the lower part of the hammer up against the inside of the kiln, but I adapted and used mixed media to make it work out.