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Showing posts with label mixed media art. Show all posts
Showing posts with label mixed media art. Show all posts

Thursday, November 5, 2015

KACA Material Mastery Exhibition-2015

I just wanted to let everyone know that I will have some work being displayed at the Kansas Artist Craftsmen Association National Juried Exhibition, Material Mastery, in Wichita, Kansas.  The exhibit was juried by Margaret Bohls.  The exhibit runs from November 2-November 7.   The Exhibition takes place at the Grisham Marilyn Fiber Studio, in Wichita, Kansas.

Pictured below are the pieces being exhibited.
 
Remnant, Terra Cotta, Glazes, Enamel Paints, 2014.

Manual Labor, Terra Cotta, Steel, Wood, Plastic, Glazes, and Enamel Paints, 2011.

Tuesday, June 23, 2015

Some New Wall Work

I've been working on some new work and have multiple pieces being constructed at the moment in different stages…it's finally summer!

Pictured are three new wall pieces I put together recently, revisiting my tile work and incorporating some slip cast work.  I played around with glazes and surfaces, but stayed true to the form and idea.

I'll be posting some work in progress tomorrow.  I'm glazing tiles for a new wall piece and have to get them into the kiln tonight before I go to bed.  Enjoy.











Friday, March 13, 2015

SouthWorks 2015, 20th National Juried Exhibition

I had a piece recently accepted into the SouthWorks 2015 exhibition.  The show was juried by Will South (Chief Curator for the Columbia Museum of Art, Columbia, South Carolina and Chief Curator at the Dayton Art Institute, Dayton, Ohio).  The exhibition takes place April 10-May 8, with the opening on April 10 from 6-9PM at the Oconee Cultural Arts Foundation, in Watkinsville, Georgia.

There were 425 entries for which Mr. South had to choose from, for the exhibit.
Pictured below is the piece selected, "Fossil Fuel".

For more information about the exhibition:  www.ocaf.com



Thursday, April 3, 2014

Figurative work in progress

With classes winding down, it's been pretty busy.  I'll be doing a wood firing next week with the students, so a glazing frenzy has been taking place this week.  My time to work on my work has taken a back seat this semester, with being at a new school and all, I hope to get more work done hopefully this weekend.  Pictured below is an update of what I've done to add "more", to create a figurative piece that follows my sketches for this piece.  I'll continue to add more pictures as the progress continues.


Friday, March 28, 2014

20th San Angelo National Ceramic Competition

I found out recently that I had a piece accepted into the 20th San Angelo National Ceramic Competition.  I mailed out the piece a couple of days ago and it arrived yesterday.  The Juror for the exhibition is Leopold Foulum, from Montreal, Canada.  There was a total of 764 pieces of art submitted for jurying and a total of 123 works were chosen for the exhibition.

The exhibit will take place from April 11- June 26, 2014, at the San Angelo Museum of Fine Art, San Angelo, Texas.  For more information you can check out the website link posted here:  www.samfa.org 

Posted below is a picture of the piece accepted for the exhibit.  The title for the piece is, "Technological Dependence".



Thursday, November 21, 2013

New Work-2013 ("Possibilities", Circular Hand Saw)

I finished up another piece and photographed it with the other new work recently.  This piece is titled, "Possibilities".  It is hand made using slabs of earthenware as well as press molded additions.  I fired the piece to cone 6 and used glazes, tool dip, as well as enamel paints for the surface.  I'm interested in exhibiting this piece, but haven't decided which exhibition I should try to enter it yet.



Friday, October 18, 2013

Why attend Graduate School?

Since leaving graduate school at Edinboro University of Pennsylvania, I've had students ask me what it's like and why should they attend graduate school.  I have had the pleasure to answer any questions they may have, and try to explain the different reasonings one may choose to attend.  It's no easy task and one must understand the dedication needed to succeed.
When I was at Edinboro I had the opportunity to be interviewed about graduate school.  I thought I would share the link of the youtube video explaining graduate school at Edinboro and what I came away from it.  Hope you enjoy the video and I hope it helps to understand at least a little bit more of the reason why I felt it was beneficial.

The link is posted below:

http://www.youtube.com/watch?v=YEBXSqBvAV0


This image shows work I made prior to the installation of my thesis exhibition, back in 2012.

Saturday, October 12, 2013

Fl3tch3r Exhibit: Social and Politically Engaged Art, National Juried Exhibition

I just found out that I had a piece accepted into the National Exhibition, "Fl3tch3r Exhibit:  Social and Politically Engaged Art",  (November 1-27, 2013).  The Juror of the exhibition is Michael Aurbach, Vanderbilt University and former President of College Art Association (CAA).  The Exhibit will take place at ETSU Slocumb Galleries, Tipton Gallery, in Johnson City, Tennessee.  The opening reception will be November 1, 2013 on First Friday at Tipton Gallery.  Hope to see you there!
 

Tuesday, May 8, 2012

Across the Divide Ceramic Exhibition 2012

Here is another show that I will be in this summer out in Flagstaff, Arizona.  I will be sending the two pieces out this week.  I would post the images of the work, but I think I will wait until the show is up and running.  I don't want to give away any sneak peaks just yet.  I'm working on trying to get down there for the opening, but with the end of graduate school approaching this week I'm not sure just yet.
For more information about Coconino Center For The Arts use this link: http://www.culturalpartners.org/acrossthedivide.htm

Opening Reception: June 2, 6-8pm

Across the Divide will encompass the vast array of contemporary ceramics in the sculptural and installation genres. This exhibit uses the Continental Divide as a metaphor for the artist working in clay that has separated them from traditional techniques and stereotypes within the medium. Participating artists were encouraged to submit work that pushes traditional boundaries of the ceramic medium in its treatment of material and subject.

This exhibition features artists from across the country. All forms of ceramic sculpture, installation and new media work will be included. All works will have some ceramic component and range in scale from hand held to monumental.
Across the Divide opens with a reception on Saturday, June 2, 2012, from 6-8pm. Many of the participating artists will be in attendance, and there will be live music and some treats. The exhibition will be open Tuesdays through Saturdays, 11am-5pm, from June 5, through July 28, 2012, at the Coconino Center for the Arts. Admission to the reception and gallery is free and open to the public.

Juror

Steven Schaeffer is a ceramic sculptor whose work has been shown nationally as well as internationally including the Florence Biennale and the Ceramic Biennial International Competition in Korea. Steve teaches Ceramics at Northern Arizona University in Flagstaff, Arizona.


Photos: top Christine Golden, bottom Steven Schaeffer

Petroleum Paradox Opening






Artist Opening for Petroleum Paradox at Denise Bibro Fine Art
 Please Join Us!
Thursday, May 24 6-8 p.m.
529 West 20th Street, NYC.
PP cover
Denise Bibro Fine Art is pleased to host the Women's Caucus for Art exhibition Petroleum Paradox: For Better or For Worse?, juried by Eleanor Heartney, on view May 24 through June 23, 2012. Opens Thursday, May 24 6:00 - 8:00 p.m. at 529 West 20th Street, NYC.
Co-President for New York WCA, Marcia Annenberg, states: "this exhibit seeks to raise awareness of the imminent danger of uncontrolled climate change, caused by an excessive dependency on fossil fuels... It is our generation that has been called to this task."  To paraphrase Eleanor Heartney, "... the thoughtful works that comprise this exhibit present questions, such as 'How do we balance economic development, environmental protection, and geopolitical stability in an ever more precarious world? What are we willing to give up today to avoid catastrophe tomorrow? Where should we commit our resources? How should we define our social and economic priorities?'" The variety of perspectives of the artists involved employ photography, video, painting, and sculpture. These artists reinforce the paradox at the center of our environmental predicament. Heartney notes, human creativity and innovation are at the root of our difficulties, but they are also the source of our potential salvation.
Artists in the exhibition:  Elaine Alibrandi, Scott,Anderson, Marcia Annenberg, Krisanne Baker, Ulla Barr, Kristen Baumlier, Cheryl Bookout, Paul Bouchard, Tracy Brown, Lois Bryant, Allegra Burke, Donna Catanzaro, Rachel Clark, Janet Culbertson, Michael D'Antuono, Derek Decker, Sherri Denault and Margie Glass Sula, Liz Dodson, Alice Dubiel, Sally Edelstein, Johnny Everyman, Trish Foschi, Pam Foss, Terri Garland, Catherine Gilbert, Carla Goldberg, Maeve Grogan, Livia Gus, Karen Gutfreund, Andrew Hamill, Aimee Hertog, Suzanne Hodes, Roxane Hollosi, Shelah Horvitz, Patti Jordan, Robin M Jordan, Vesna Jovanovic, Noreen Larinde, Amy Larsen, Molly Magai, Paho Mann, Brandi Merolla, Barbara Milman, Mitzi Mize, Andrea Morganstern, Sandra Mueller, Rosa Naparstek, Patty Neal, Rob Neilson, Lynnda Pardoe, Bonnie Peterson, Sara Petitt, Roxanne Phillips, Stefani Rossi, Soledad Salame, Loredana Sangiuliano, Samuel Scharf, Debbie Schore, Manju Shandler, Lynnette Shelley, Katherine Sifers, Simone Spicer, Greg Stange, Deborah Mills Thackrey, Linnea Tober, Lucy Traeger, Michelle Waters, Margi Weir, Jenifer Wightman, Roscoe Wilson, Helen Zajkowski, Patrcia Zalisko.   
Notes from Karen Gutfreund, Exhibition Director:  Art can be a powerful, productive force and instrumental in sparking change or critical thinking.  The Women's Caucus for Art is committed to supporting local, national, and global art activism.  Art can produce a visceral response and can provoke, inspire, or disturb, and opens your eyes to worlds other than your own. While the artist may not consider themselves to be a revolutionary, by bringing to light issues and concerns, art can effect change. We need of works that help us to understand what is happening in our society, who we are, where we come from and where we're going.  
With Petroleum Paradox: For Better or For Worse, we asked for works that stir emotions, discussion and debate about our petroleum-dependent world. Examples include, but were not limited to, works that address the impact of collecting, processing and delivering fossil fuel on the environment; global warming; the power of big oil companies to control countries and governments; an imagined life without fossil fuel; and life forms that were the origins of fossil fuel. The discovery of oil, in 1859, in Pennsylvania, transformed our way of life; we are enveloped by petroleum products-from the shoes we wear, to the materials our clothes are made of, to the way we heat our houses, to our modes of transportation. Oil dependency pollutes the environment causing respiratory illness, endangers wildlife, and necessitates the large scale loss of life as we search to secure sources of oil overseas. How do we initiate change with this rush to grab dwindling non-renewable energy assets, instead of focusing on renewable energy and the prevention of global warming? This exhibition manifests the artists response to the Petroleum Paradox and what is happening in our oil dependent society and world.  
Eleanor Heartney, Contributing Editor, Art in America and Artpress, chose 72 artists for Petroleum Paradox with 31 works in the gallery at Denise Bibro Fine Art and an additional 43 featured in the catalog. This show is in collaboration with Denise Bibro of Denise Bibro Fine Art.  We are honored to work with these artists and to showcase their work. We believe in the power of artists to create, connect, and change the world.       
We hope that you will join us in our celebration of 40 years of women and the arts!

Regards,
Karen Gutfreund
Vice President and National Exhibitions Director

Tuesday, October 11, 2011

KACA Material Mastery and Members Exhibition 2011

"Precious", Terra Cotta, 2011 (KACA Material Mastery)

"Fossil Fuel", Earthenware, 2010 (Members Exhibition)
I found out recently that I will have two pieces in two different exhibitions coming this October sponsored by the Kansas Artist Craftsmen Association.  The first one is titled "Material Mastery", which will run from October 17-November 5, 2011(Exhibition reception is November 4, 2011), at the Norman R. Eppink Gallery, Emporia State University, 1200 Commercial St., Emporia, KS.  The National Juried exhibition was juried by Elaine O. Henry, who is the editor of Ceramics Art and Perception and Ceramics TECHNICAL magazines.  The Members Exhibition will take place from October 25-November 5, 2011, at the Emporia Arts Council, 815 Commercial St., Emporia, KS.  The exhibition reception will take place on November 4, 2011.  Unfortunately, I will not be able to attend the exhibitions due to the fact that I am still finishing up my last year in graduate school at Edinboro University of Pennsylvania.  If you are able to attend the shows I would recommend it...it looks like there will be a lot of great art from the list of those showing in the show this year!  The works pictured, are the pieces that will be in the upcoming exhibitions.