Raku Lidded Vessel

I have been working on multiple pieces in the studio and thought I would post an update on a particular piece of work.  I made a wheel thrown vessel with a lid, out of stoneware clay, and fired it in a Raku kiln with Raku glazes I made up at IPFW.

I fired the piece a couple of weeks ago, but finally got around to photographing it.  Hope you enjoy the work.

Slip Casting with a new mold

Pictured below are images of slip casting underway.  I created two press molds and then created two slip cast molds of the designed tile work.  I also made the thickness of the tiles thicker to create a more visually interesting design when placed on the wall.

I will post more images of this work as it comes along.  Unfortunately the first tile is sticking in an area of the mold that I will have to clean up a bit more, for easier removal of the cast tile.

Finished Wall Piece-"Mechanical Repetition, 2015"

I finished my new ceramic wall piece and titled it "Mechanical Repetition".  It is made of Terra Cotta and a cone 6 black bronze glaze.  This piece took awhile to make due to the number of pieces I had to make and fit together.  Pictured below is the piece hanging on the wall.

Ceramic Tile (Wall Piece)

I have been revisiting ceramic tile and design with this new piece.  I forgot how fun it is…and time consuming to put a piece like this together, but I really enjoyed the time spent on this piece.  The work is of a new design and I used two different molds that I created to make this piece work.  I used Terra Cotta and hand pressed all the pieces.  I then used my black bronze glaze and fired the work to cone 6, after I did an initial bisque firing first.  The work was then applied to a piece of plywood.  I dry fitted together the pieces after the glaze firing, so I could trace out the exterior of the form and then cut the wood using a table saw and a hand held jigsaw to mimic the edges of the tiles to be placed.

The piece measures 30" x 38" x 1 1/2", and is held to the wall using french cleats, which I made as well.  All the wood was sanded by hand and then I painted the edges and the cleats, using a black satin latex paint.

The piece is currently on display, so I don't have a final picture to show the work, so I will try to get a final photo after the show comes down.

Enjoy!

Hand Building with Molds

I have been busy with work, but in my studio I'm creating new molds for new work, along with creating new sculptures.  I had a bunch of stoneware clay, so I thought I would create some sculptures with it.  The images posted are of some things happening in my studio.  Enjoy.

I will update the progress of this work as it is created.  Pictured are five different pieces being worked on at the same time.

New Work-"It's Complicated"

I finally finished up a piece that I have been working on for some time.  The piece is hand built using slabs and molds and was fired to cone six in an electric kiln.  This piece came to mind when I was thinking about industry and the role in history in which industry has had, when it comes to the creation of weapons used for offensive and defensive purposes.  Ironically the year I was working on it (2014-2015), new turmoil arose not only in the Middle East, but also in the annexation of Crimea.

The creation of weapons is closely tied to industry and technology and sometimes used in situations in which the technology was not intended for.  This idea was the basis of creating this piece, and although it is not new to us, it does deserve a moment of contemplation on the time we live in and how history seems to repeat itself.

Below is a picture of the new work titled, "It's Complicated".

America's Clay Fest III (April 17-May 30, 2015)

I recently found out that I had a piece accepted into "America's Clay Fest III".  Formerly known as "Feats of Clay", the exhibition is an international juried ceramic exhibit.  The Jurors for the exhibition are Tip Toland, ceramic sculptor, and Peter Held, Chief Curator at the Ceramic Research Center at Arizona State University.  The exhibit will take place at Blue Line Arts Gallery in Roseville, California.

For more information check out these websites:  www.americasclayfest.org and bluelinearts.org, for more information.

Pictured below is the piece "Possibilities", which will be in the exhibit.

teapots! 9th Invitational at Morgan Contemporary Glass Gallery

I was invited to be a part of a teapot exhibition at the Morgan Contemporary Glass Gallery in Pittsburgh, Pennsylvania.  The exhibit runs from April 10-June 13, 2015.
I was honored to be asked to participate in the exhibit and those who know me, know I don't usually create pottery, or much functional work.  So, I had to sit down and create a teapot for the show.

It took me some time to figure out what type of form and then how the surface would later be developed.  I wanted it to be functional, although that was not necessary.

If you are in the area (Pittsburgh), you should stop by the Gallery to check out the show.  Here is the website for the gallery:  Morgan Glass Gallery

Below are some images of the teapot that I sent to the gallery.

SouthWorks 2015, 20th National Juried Exhibition

I had a piece recently accepted into the SouthWorks 2015 exhibition.  The show was juried by Will South (Chief Curator for the Columbia Museum of Art, Columbia, South Carolina and Chief Curator at the Dayton Art Institute, Dayton, Ohio).  The exhibition takes place April 10-May 8, with the opening on April 10 from 6-9PM at the Oconee Cultural Arts Foundation, in Watkinsville, Georgia.

There were 425 entries for which Mr. South had to choose from, for the exhibit.
Pictured below is the piece selected, "Fossil Fuel".

For more information about the exhibition:  www.ocaf.com

Pottery?

I know it's been some time since I've posted anything.  I've been working on glaze development and forms for some pottery…yes, pottery.  I know it's not something I do all the time, but with teaching, I find it necessary to become well rounded in another spectrum of the ceramic medium.  I haven't stopped creating sculptural work, but have taken some time to revisit an old acquaintance…the pottery wheel.

I'm always looking at ways to mimic natural materials in life and came across an article by Steven Hill, a master potter, who creates glazes to mimic effects of high fire glazes (reduction), in an electric kiln.  I find this really interesting, since I myself don't own a high fire kiln.  I have been looking into glazes specifically for pottery and continue doing tests, until I can come up with a color palette and form I like.  I know this is all subjective, but it's nice to explore new areas that cause me to think differently about the work being created.  I can understand better the difficulties one encounters when creating pottery, which in turn is better for my teaching.

The images below are of some recent work and glazes that I created recently.  The pieces were all wheel thrown, and multiple glazes were used (3 glazes on each cup).  I fired the work in an electric kiln (oxidation), and fired it to cone 6.

Figurative work in progress

With classes winding down, it's been pretty busy.  I'll be doing a wood firing next week with the students, so a glazing frenzy has been taking place this week.  My time to work on my work has taken a back seat this semester, with being at a new school and all, I hope to get more work done hopefully this weekend.  Pictured below is an update of what I've done to add "more", to create a figurative piece that follows my sketches for this piece.  I'll continue to add more pictures as the progress continues.

20th San Angelo National Ceramic Competition

I found out recently that I had a piece accepted into the 20th San Angelo National Ceramic Competition.  I mailed out the piece a couple of days ago and it arrived yesterday.  The Juror for the exhibition is Leopold Foulum, from Montreal, Canada.  There was a total of 764 pieces of art submitted for jurying and a total of 123 works were chosen for the exhibition.

The exhibit will take place from April 11- June 26, 2014, at the San Angelo Museum of Fine Art, San Angelo, Texas.  For more information you can check out the website link posted here:  www.samfa.org 

Posted below is a picture of the piece accepted for the exhibit.  The title for the piece is, "Technological Dependence".

New Work-2013 ("Possibilities", Circular Hand Saw)

I finished up another piece and photographed it with the other new work recently.  This piece is titled, "Possibilities".  It is hand made using slabs of earthenware as well as press molded additions.  I fired the piece to cone 6 and used glazes, tool dip, as well as enamel paints for the surface.  I'm interested in exhibiting this piece, but haven't decided which exhibition I should try to enter it yet.

New Work-2013 (Remnant)

This piece is titled "Remnant" and is hand built using earthenware slabs, with press molded additions as well.  I fired the piece to cone six and used glazes as well as enamel paints.  I'm glad it's done so I can update my portfolio on my web page as well as concentrate on new work I'm creating at the moment.  I fired this particular piece multiple times.

New Work-2013 (Technological Dependence)

Here is an image of a new piece I finished up recently.  The piece is titled, "Technological Dependence".  I hand built the mechanical form using terra cotta slabs, along with press molded additions.  The phone is slip cast porcelain, which I Raku fired, with a Raku glaze I made.

Wood Kiln Firing at University of Saint Francis

This week I helped fire a wood kiln at University of Saint Francis, in Fort Wayne, Indiana.  I was lucky enough to get to put in a piece and hopefully it will turn out…at least interesting.  While I was there I got to meet Steve Smith and his two assistants.  He used to be the Chair at Defiance College in Ohio, and now is a full-time production potter and sculptor.  His studio is up in Angola, Indiana and it was a blast hanging out with him, and feeding and stoking the kiln Tuesday morning.  I returned Tuesday night for a later three hour shift and left with the kiln firing even on the top and bottom (2136).  I can't wait to visit Steve up in Angola and check out his studio.  Pictured below is the kiln we were firing at University of Saint Francis.  With help from the ceramic students, I'm sure the firing went well.  Ryan Bredlau is currently teaching the ceramic students at Saint Francis as well as being the Art Department Technician…he's a busy guy and it was great to help him out.  I'll be teaching at Saint Francis next semester, so it was nice to meet some of the students as well.

Pictured below is the kiln we were firing.

Raku Test Tiles/Cell Phones-Update

Well I have been working on refining the placement of my phones in the kiln I'm using, as stated in an earlier post.  As that work continues... I'm still working on my cup, vessel,  and a plate I threw earlier.  So, as those pieces are going through the drying stages, I'm getting ready to hopefully put them in a bisque firing this weekend.  Here are some images of those tests I did.  I didn't sieve the glaze I made up, so I'm assuming the glaze could look smoother without the larger particles in the glaze.  I've also made up a white raku crackle glaze, but I'll have to take a picture of those phones and post them in my next post.  Enjoy.

                                                              This glaze test was applied with a single thin coat over a black slip.
The more "copper colored area",  is a result of a thicker application.

This glaze test was applied with two
 "normal coats" of the glaze over a black slip. 

Here I applied two normal coats over black slip,
notice the larger glaze particles within the glaze.

Here is another test, this phone also has two
coats of glaze.  Notice that each of these phones
pictured have been placed in different areas of the kiln
and how it affects the glaze (heat differences).

This phone also has two coats,
as stated in the other tests.  With these tests
I tried to keep the application process the same.
The tests are also about location(placement) in the kiln.

This phone has the glaze applied the same as the others.

Here are the glaze tests all together,
as well as some phones that are without any glaze.