Wood Fired Cups

I know it has been some time since I've posted anything...almost a year, so I thought I would try to keep up with what's going on in the studio on a regular basis.
I have been creating new sculptural work and have also taken some time to explore functional ware.
I have also been working on reorganizing/rearranging the studio to make it a little more efficient with what I am working on currently.

Below is a picture of a finished wood fired porcelain cup that I have been exploring surfaces with.  I designed the cup from hand and then created a three piece mold for the basic form of the cup.  The handle was created using another mold.  I had issues with the handle and slip casting it, so I had to use the two piece mold as a press mold and then created the handle using the two parts.  By doing this it helped to give more stability to the handle as well as a nice balance of the weight, in regards to the weight of the cup form.

I will be posting other glaze experiments over this form until I find a combination that I will explore in producing further down the road. Enjoy.

This is one of two cups:

This is cup #2:

Cups in Progress

Those of you who know me, know that it is very rarely that I dedicate time to creating pottery.  Recently that seems all I have been working on.  I still have other work in progress at various stages, but thought I would share some images of the forms I have been exploring as well as the design and feel of handles on the work.  I will post more images of the finished work once it is finished.

Pottery?

I know it's been some time since I've posted anything.  I've been working on glaze development and forms for some pottery…yes, pottery.  I know it's not something I do all the time, but with teaching, I find it necessary to become well rounded in another spectrum of the ceramic medium.  I haven't stopped creating sculptural work, but have taken some time to revisit an old acquaintance…the pottery wheel.

I'm always looking at ways to mimic natural materials in life and came across an article by Steven Hill, a master potter, who creates glazes to mimic effects of high fire glazes (reduction), in an electric kiln.  I find this really interesting, since I myself don't own a high fire kiln.  I have been looking into glazes specifically for pottery and continue doing tests, until I can come up with a color palette and form I like.  I know this is all subjective, but it's nice to explore new areas that cause me to think differently about the work being created.  I can understand better the difficulties one encounters when creating pottery, which in turn is better for my teaching.

The images below are of some recent work and glazes that I created recently.  The pieces were all wheel thrown, and multiple glazes were used (3 glazes on each cup).  I fired the work in an electric kiln (oxidation), and fired it to cone 6.

Wheel Thrown Cup

I've been busy working on finishing up new pieces, so I can take images of the work for my portfolio.  I have also been working on the wheel to reinforce my skills.  I don't usually make functional work, but I'll be teaching advanced ceramics next semester, so I thought I should brush up on using the wheel.  It's interesting how my approach to using the wheel has changed since I first was introduced to it as an undergraduate.  I guess it's the years of watching other professional artists and how they use the wheel, that has seemed to alter the way I use the wheel now.  That being said, I enjoy using cups other artists have made and decided to create one for myself.  Below is an image of a cup I made recently.  It's in the drying stage and I plan on hopefully getting it in the kiln soon.  I'll post some updates of the cup and the stages it goes through, in becoming a finished piece.