KACA Material Mastery Exhibition-2015

I just wanted to let everyone know that I will have some work being displayed at the Kansas Artist Craftsmen Association National Juried Exhibition, Material Mastery, in Wichita, Kansas.  The exhibit was juried by Margaret Bohls.  The exhibit runs from November 2-November 7.   The Exhibition takes place at the Grisham Marilyn Fiber Studio, in Wichita, Kansas.

Pictured below are the pieces being exhibited.

 

Remnant, Terra Cotta, Glazes, Enamel Paints, 2014.

Manual Labor, Terra Cotta, Steel, Wood, Plastic, Glazes, and Enamel Paints, 2011.

More Ceramic Cups?

I have been working on some ceramic cups for an upcoming exhibition, as well as for some gifts for the holidays.  The cups are all thrown on the wheel, using stoneware clay, and will be fired to cone 6, in an electric kiln.  I have been working on some new glazes, since the work I am creating needs to be functional, and have had some interesting results with some of the glazes.  I am still doing more tests and hopefully will have some results to post shortly of the finished work.  

Below are some images of the cups in progress.

Some New Wall Work

I've been working on some new work and have multiple pieces being constructed at the moment in different stages…it's finally summer!

Pictured are three new wall pieces I put together recently, revisiting my tile work and incorporating some slip cast work.  I played around with glazes and surfaces, but stayed true to the form and idea.

I'll be posting some work in progress tomorrow.  I'm glazing tiles for a new wall piece and have to get them into the kiln tonight before I go to bed.  Enjoy.

New Work-"It's Complicated"

I finally finished up a piece that I have been working on for some time.  The piece is hand built using slabs and molds and was fired to cone six in an electric kiln.  This piece came to mind when I was thinking about industry and the role in history in which industry has had, when it comes to the creation of weapons used for offensive and defensive purposes.  Ironically the year I was working on it (2014-2015), new turmoil arose not only in the Middle East, but also in the annexation of Crimea.

The creation of weapons is closely tied to industry and technology and sometimes used in situations in which the technology was not intended for.  This idea was the basis of creating this piece, and although it is not new to us, it does deserve a moment of contemplation on the time we live in and how history seems to repeat itself.

Below is a picture of the new work titled, "It's Complicated".

Pottery?

I know it's been some time since I've posted anything.  I've been working on glaze development and forms for some pottery…yes, pottery.  I know it's not something I do all the time, but with teaching, I find it necessary to become well rounded in another spectrum of the ceramic medium.  I haven't stopped creating sculptural work, but have taken some time to revisit an old acquaintance…the pottery wheel.

I'm always looking at ways to mimic natural materials in life and came across an article by Steven Hill, a master potter, who creates glazes to mimic effects of high fire glazes (reduction), in an electric kiln.  I find this really interesting, since I myself don't own a high fire kiln.  I have been looking into glazes specifically for pottery and continue doing tests, until I can come up with a color palette and form I like.  I know this is all subjective, but it's nice to explore new areas that cause me to think differently about the work being created.  I can understand better the difficulties one encounters when creating pottery, which in turn is better for my teaching.

The images below are of some recent work and glazes that I created recently.  The pieces were all wheel thrown, and multiple glazes were used (3 glazes on each cup).  I fired the work in an electric kiln (oxidation), and fired it to cone 6.