New Work, "Ingenuity", 2015

My time is usually spent working on sculptural pieces, but for last four months it seems all I have been working on most of the time is wheel thrown work.  I finally took time away from the wheel to get back to my first love…sculpture!

This piece, "Ingenuity", is a sculpture that I had been working on for a short time.  It took me seventeen hours to create this piece, minus the multiple firings I put it through and the build up of multiple glazes. The piece is hand built with press mold additions, and is made from earthenware clay.  It is hollow and was built "life size".

With my exploration into the "object/artifact", I came upon an old 1921 gasoline welder, that my dad had found up in his attic above the garage.  I instantly fell in love with the piece and found it to be perfect to try and create with clay.  I used slabs, coil, and the pinch pot method to create this piece.

The piece was fired to cone 05 bisque and then I used glazes that I created in graduate school, at Edinboro University of Pennsylvania.  I hadn't had an opportunity to use the glazes, beyond test tiles, and was happy to finally find a piece that I thought the glazes would compliment.

The glazes are low fire as well, cone 06, and really help to make the piece look like the real thing, only with more rust and decay.

Pictured below are pictures of the piece in different stages of the making process.  Enjoy.

Some New Wall Work

I've been working on some new work and have multiple pieces being constructed at the moment in different stages…it's finally summer!

Pictured are three new wall pieces I put together recently, revisiting my tile work and incorporating some slip cast work.  I played around with glazes and surfaces, but stayed true to the form and idea.

I'll be posting some work in progress tomorrow.  I'm glazing tiles for a new wall piece and have to get them into the kiln tonight before I go to bed.  Enjoy.

Pottery?

I know it's been some time since I've posted anything.  I've been working on glaze development and forms for some pottery…yes, pottery.  I know it's not something I do all the time, but with teaching, I find it necessary to become well rounded in another spectrum of the ceramic medium.  I haven't stopped creating sculptural work, but have taken some time to revisit an old acquaintance…the pottery wheel.

I'm always looking at ways to mimic natural materials in life and came across an article by Steven Hill, a master potter, who creates glazes to mimic effects of high fire glazes (reduction), in an electric kiln.  I find this really interesting, since I myself don't own a high fire kiln.  I have been looking into glazes specifically for pottery and continue doing tests, until I can come up with a color palette and form I like.  I know this is all subjective, but it's nice to explore new areas that cause me to think differently about the work being created.  I can understand better the difficulties one encounters when creating pottery, which in turn is better for my teaching.

The images below are of some recent work and glazes that I created recently.  The pieces were all wheel thrown, and multiple glazes were used (3 glazes on each cup).  I fired the work in an electric kiln (oxidation), and fired it to cone 6.